BREAKING: Dhurandhar The Revenge’s ‘Raw and Undekha’ version to drop internationally on Netflix on May 14; to be three minutes longer than the theatrical version

Dhurandhar The Revenge completed 50 glorious days today, May 8. The film has continued to do well in cinemas since day 1, and in a week’s time, it will finally drop on OTT. Bollywood Hungama has learned that Dhurandhar The Revenge will release on Netflix in international territories from May 14. Interestingly, the viewers will get to catch a longer version online.

Today, the overseas audiences learned that the Netflix app displays the information that Dhurandhar The Revenge will drop internationally on May 14. Interestingly, the title displayed on the streaming platform is ‘Dhurandhar The Revenge (Raw and Undekha)’. And that’s not all. The run time shown on the app is 3 hours and 52 mins. The theatrical version’s duration is 3 hours, 49 minutes and 6 seconds. Hence, the OTT version is longer by 3 minutes.

Dhurandhar stars Ranveer Singh, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others. It is produced by Jyoti Deshpande of Jio Studios and Aditya Dhar and Lokesh Dhar of B62 Studios and written and directed by Aditya Dhar. The first part was released on December 5, 2025 and became an all-time blockbuster, breaking all records. The sequel, Dhurandhar The Revenge, was an even bigger hit and set new records.

It now remains to be seen whether Dhurandhar The Revenge will also be available in an extended version in India. In the home country, the film will stream on JioHotstar.

Also Read: EXCLUSIVE: “We’re NOT done with Dhurandhar yet,” reveals Jyoti Deshpande of Jio Studios

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Shakti Kapoor reacts to death hoax, says “My death news is all fake”; actor to file cyber complaint

Veteran actor Shakti Kapoor has strongly reacted to fake reports of his demise that recently surfaced online. The actor took to social media to personally dismiss the rumours and reassure fans and loved ones that he is safe, healthy, and doing absolutely fine.

In a short video message shared online, the actor addressed the misleading reports directly and urged everyone not to believe them. “Hello everyone. My death news is all fake. I am healthy and happy. Please ignore it”, he said.

Expressing disappointment over the circulation of such rumours, Shakti Kapoor also revealed that he intends to take legal action against those responsible for spreading the false information. “I am going to file a cyber complaint about it because this is not good,” he added in the video.

 

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  A post shared by Shakti Kapoor (@shaktikapoor)

Soon after the actor posted the clarification, several fans flooded the comments section with messages of relief and support. Many users condemned the spread of fake news on social media and called for stricter action against individuals who create and circulate such hoaxes involving celebrities.

With a career spanning over five decades, Shakti Kapoor has remained one of the most recognizable faces in Hindi cinema. The actor gained immense popularity through his villainous and comic performances in films across the 1980s and 1990s. His memorable portrayals in movies like Andaz Apna Apna and Raja Babu continue to enjoy a cult following among audiences even today.

In recent years, the actor has continued to appear selectively in films while maintaining his presence in the entertainment industry. He was recently seen in projects like Animal and Mere Husband Ki Biwi.

Apart from his own career, Shakti Kapoor is also known as the father of actors Shraddha Kapoor and Siddhanth Kapoor. Shraddha Kapoor, in particular, has been enjoying a successful phase professionally with her last two films - Tu Jhoothi Main Makkaar and Stree 2 emerging as major successes.

Also Read: Shakti Kapoor sells Juhu apartment for Rs 6.11 crores: Report

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Nora Fatehi apologises to NCW over ‘Sarke Chunar’ controversy; says, “There was no intention to offend anybody”

Actor-dancer Nora Fatehi appeared before the National Commission for Women (NCW) on May 7 in connection with the controversy surrounding the song ‘Sarke Chunar’ from the upcoming film KD – The Devil. The actress addressed the matter before the commission and issued an apology, stating that there was no intention to hurt sentiments through the track.

Speaking after her appearance before the commission, Nora told ANI, “It was just a situation that I was put in, and there was no intention to offend anybody, but of course I have to be responsible as an artist. I definitely apologise, we have done everything in writing. They have been so kind and helpful. It's really important for us to give back to society. So, I decided that we should sponsor a few orphan girls, their education, so that is the goal after this matter.”

#WATCH | Delhi | Actor-dancer Nora Fatehi today appeared before the National Commission for Women (NCW), in connection with the matter pertaining to the song Sarke Chunar

She says, "I apologise as I have to be responsible as an artist. There was no intention to offend anybody.… pic.twitter.com/OAcvyUaE4C — ANI (@ANI) May 7, 2026

The controversy dates back to March 2026 when the NCW had taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song ‘Sarke Chunar Teri Sarke’. The commission had then shared an official statement on social media expressing concern over the content of the track.

The statement read, “The National Commission for Women, in exercise of its powers under the NCW Act, 1990, has taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song “Sarke Chunar Teri Sarke.” Observing that the content prima facie appears to be sexually suggestive, objectionable, and violative of provisions under the Bharatiya Nyaya Sanhita, IT Act, and POCSO Act, the Commission has taken serious note of the matter. Summons have been issued to Actress Nora Fatehi, Raqueeb Alam, Actor Sanjay Dutt, Venkat K. Narayana (Producer, KVN Group), and Kiran Kumar (Director) directing them to appear before the Commission.”

The summons asking Nora to appear before the commission was issued on May 6. And, the actress eventually appeared on May 7 to clarify her stance and respond to the concerns raised by the statutory body.

The development has once again brought discussions around creative freedom, censorship, and accountability in entertainment content into focus. Meanwhile, KD – The Devil continues to remain one of the talked-about upcoming projects owing to its ensemble cast and ongoing controversies surrounding the film’s promotional material.

Also Read: Nora Fatehi summoned by National Commission for Women over ‘Sarke Chunar’ row from KD – The Devil

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Celina Jaitly shares emotional video cleaning late son Shamsher’s grave in Austria, opens up on her divorce procedure ordeal: “The only child I got to meet was my son Shamsher”

Actor Celina Jaitly has shared an emotional account of her ongoing divorce struggle and separation from her children through a heartbreaking Instagram post. Along with the note, the actor posted a video of herself cleaning the grave of her late son Shamsher, saying she had “no option” but to make her pain public.

“I had no option but to share this devastating video to show the world my trauma as a mother,” Celina wrote at the beginning of her post. Opening up about the legal battle, she revealed that she had recently travelled to Austria for divorce proceedings. “The last few weeks were the most difficult of my life. I was in Austria for my divorce hearing,” she wrote.

Celina alleged that despite assurances given before an Austrian judge, her children were not brought back to the marital residence. “Despite an undertaking before an Austrian judge, my children who were removed to an undisclosed location were not brought back to the marital residence,” she claimed. The actor added that during the visit, “The only child I got to meet was my son Shamsher, who passed away some time back.”

Sharing her emotional turmoil, Celina described herself as “a mother who has done everything for her children from the day they were born.” She also reflected on the personal sacrifices she made for her family and husband’s career.

 

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  A post shared by Celina Jaitly (@celinajaitlyofficial)

“I left my country, my parents, my work, & moved from India to Dubai, Singapore, Austria, back to Dubai, Austria AGAIN all to support my husband’s career,” she wrote. “I singlehandedly raised my children while standing firmly behind his ambitions, his relocations, his dreams, & the life we built together,” she added.

Celina further alleged that she suffered abuse and financial losses during the marriage. “For my dedication to marriage & children, I watched my assets being taken away, piece by piece… beared abuse,” she stated.

The actor also claimed that despite joint custody and an Austrian Family Court order, she has been denied access to her children. “Despite joint custody & a subsisting order of the Austrian Family Court, I am presently DENIED ANY COMMUNICATION with my 3 children & I am heartbroken!” she wrote.

She additionally alleged that there had been “repeated interference” in her communication with the children, including “brainwashing & intimidation to compel them to say things against me.”

Recalling the beginning of the separation, Celina claimed that in September she was served divorce papers “on the pretext of receiving a gift ordered for our 15th wedding anniversary at the local post office.”

Concluding the post, she said, “I REPEATEDLY SOUGHT AN AMICABLE SEPARATION IN GOOD FAITH, PRIORITIZING ONLY THE WELFARE OF THE CHILDREN,” but alleged that those efforts were met with “demands relating to my premarital assets & unreasonable conditions intended to strip me of my freedom & dignity even after divorce.”

Also Read: Celina Jaitly speaks out after court rejects plea to communicate with detained brother: “This was never about me”

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Prime Video and Amazon MX Player merge to create India’s biggest streaming platform with free and paid content

In a major development in India’s streaming landscape, Prime Video has announced the integration of Amazon MX Player into its platform, creating what the company calls India’s largest streaming service for exclusive originals across free and paid entertainment.

The move will bring together Prime Video’s premium subscription-based content library with Amazon MX Player’s extensive ad-supported content offering, giving viewers access to a wider range of entertainment under one unified destination. The combined platform will span Subscription Video on Demand (SVOD), Advertising Video on Demand (AVOD), Transactional Video on Demand (TVOD), and add-on subscriptions.

The integration comes after Amazon acquired certain MX Player assets in 2024 and merged them with Amazon miniTV to create Amazon MX Player. The service rapidly expanded its reach through local originals, reality programming, micro-dramas and dubbed international content.

With the latest merger, Prime members will now have access to a larger catalogue of originals and exclusives across devices, with options to watch content with ads or choose an ad-free experience. At the same time, viewers looking for free entertainment will continue to have access to a broad selection of ad-supported content along with seamless opportunities to subscribe to Prime.

Speaking about the integration, Gaurav Gandhi, Vice President, Asia-Pacific and ANZ, Prime Video, said, “Our focus at Prime Video has always been to bring authentic stories that reflect the diversity of our audiences. With the integration of Amazon MX Player’s expansive original slate and audience scale, our collective offering is bigger and stronger than ever — making Prime Video the one-stop destination for quality entertainment, for every customer in the country.”

He further added, “Amazon MX Player has built remarkable engagement through a diverse library, and bringing it together with Prime Video’s iconic stories means we can keep serving our customers with the largest selection of exclusive and original content from India and around the world.”

The integration is also expected to significantly expand advertising opportunities on the platform. Girish Prabhu, Vice President & Head, Amazon Ads India, described the move as a “gamechanger” for advertisers.

“The unification of Amazon MX Player with Prime Video is a gamechanger for advertisers in India. We've created a single streaming destination that reaches audiences across the entire spectrum — from free ad-supported viewers to Prime members — enabling true full-funnel advertising on an unprecedented scale. Advertisers now have access to the most relevant and high-performing ad formats, all powered by trillions of shopping, browsing, and streaming signals, transforming every impression into measurable business outcomes, making Prime Video the most comprehensive video advertising service in Indian streaming,” he said.

As part of the rollout, the Amazon MX Player app on Android will continue serving free streaming users with a rebranded identity and an integrated Prime Video experience. Users will also get the option to upgrade to Prime subscriptions for expanded content access. Meanwhile, the iOS, web and Living Room versions of the app will redirect viewers directly to Prime Video, where content from both services will be accessible.

Prime Video currently houses several acclaimed Indian and international originals, while Amazon MX Player has established a strong foothold in the free streaming market through its diverse catalogue. With this integration, Amazon aims to strengthen its position in India’s rapidly evolving OTT ecosystem by catering to both premium subscribers and free-streaming audiences under a single entertainment hub.

Also Read: Photos: Palak Tiwari, Raashi Khanna, King and others grace the trailer launch of Lukkhe

 

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Zee takes Nykaa to court over Instagram reels music use; seeks Rs. 2 crores in damages

In a significant legal move, Zee Entertainment Enterprises has filed a case against Nykaa, alleging unauthorised use of its copyrighted music in promotional content on Instagram. The media giant is seeking damages amounting to Rs. 2 crores (approximately $210,000), according to court filings reviewed by Reuters.

The lawsuit, submitted to the Delhi High Court on April 3, centres around the use of Zee-owned songs in short video clips posted by Nykaa on Instagram. Zee has argued that while it holds a licensing arrangement with Meta Platforms that permits individuals to use its music for non-commercial purposes, the same does not extend to brands using the tracks for advertising.

According to the claims, Nykaa allegedly featured several of Zee’s songs in Instagram reels to promote its products to its large follower base, without obtaining the necessary permissions. The case reportedly includes references to 12 such posts, along with supporting screenshots submitted as evidence.

Although the detailed court documents are not publicly accessible, both companies have refrained from issuing official statements on the matter so far.

During a recent hearing, Nykaa’s legal representative informed the court that the 12 identified reels had already been removed from the platform. This development was noted in a court order, though it has not been widely reported until now.

Zee’s complaint, which reportedly spans over 900 pages, maintains that the music was used without proper authorisation, and therefore constitutes a violation of its rights. The company has requested financial compensation for what it describes as unauthorised commercial exploitation of its content.

The case highlights a growing trend in digital marketing, where brands increasingly rely on short-form video content on platforms like Instagram, often pairing visuals with popular Hindi tracks to boost engagement.

Legal experts believe the outcome of this dispute could have broader implications for how companies approach music usage in social media campaigns. Aditya Gupta, a partner at Ira Law, noted that marketing teams frequently use music available in platform libraries without fully understanding usage restrictions, adding that a court ruling could bring greater clarity to such practices.

The matter is scheduled to be heard next on May 26, and its outcome is likely to be closely watched by both the media and advertising industries.

Also Read: Zee Music Company bags music rights of Yash starrer Toxic in major 2026 deal with KVN Productions

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Shah Rukh Khan-Deepika Padukone's King leak goes viral: Are fan pages bigger than official promotions now?

Leaked visuals from the South Africa schedule of King, featuring Shah Rukh Khan and Deepika Padukone, went viral online; Siddharth Anand requested fans not to circulate such visuals to preserve the film’s cinematic experience.

Once upon a time, Bollywood controlled the first look.

A poster was planned. A teaser was timed. A still was approved. A magazine cover was negotiated. A campaign was built week by week, sometimes month by month. The audience saw what the studio wanted them to see, when the studio wanted them to see it. That world is gone.

The King leak controversy proves it. One leaked visual from a foreign schedule can now do what crores of marketing money once did. Ignite national conversation before the makers are ready. Shah Rukh Khan and Deepika Padukone’s leaked visuals from the sets have sent fans into overdrive, while director Siddharth Anand’s appeal not to circulate them has raised a larger question: in today’s cinema ecosystem, are fan pages more powerful than official PR?

The answer is uncomfortable. In many ways, yes.

pic.twitter.com/sTvx9IP4w3 — Siddharth Anand (@justSidAnand) May 1, 2026

Fan pages today are not just fan clubs. They are distribution networks. They are hype machines. They are unofficial newsrooms, meme factories, archive libraries and emotional armies. They monitor shoots, track schedules, amplify sightings, decode costumes, compare looks, trend hashtags and create narratives long before studios release official material. For a film like King, starring Shah Rukh Khan, this ecosystem becomes even more intense. SRK fandom is not passive. It is organised, emotional and incredibly fast.

That speed is both a blessing and a problem. On one hand, leaked images prove massive curiosity. Nobody leaks or circulates something that no one cares about. The frenzy around King shows the scale of anticipation. It tells the industry that the film is already an event. It gives free publicity, organic chatter and instant recall. In marketing terms, that is gold.

But cinema is not only marketing. It is also an experience. A filmmaker plans reveals for a reason. A look, a frame, a costume, a location, a character dynamic, all these things are meant to arrive with context. When leaked in poor quality or without explanation, they can distort perception. A blurry picture becomes a theory. A half seen costume becomes a judgement. A random moment on the set becomes a first look. The surprise is diluted before the storytelling even begins.

That is why Siddharth Anand’s frustration is understandable. A film like King is not being built casually. It is being mounted as a major cinematic event. The makers would naturally want control over how the first real imagery reaches the public. But control is now the hardest thing for filmmakers to retain. The more anticipated the film, the more impossible secrecy becomes.

There is also a moral question for fans. If one loves a star, does circulating leaks help or hurt the film? Fans often argue that they are only spreading excitement. Filmmakers argue that they are damaging the surprise. Both sides have a point. Fan excitement is genuine. But love without restraint can become interference. There is a difference between celebrating a film and prematurely exposing it.

The deeper issue is that Bollywood’s promotional model has not fully adapted to the fan page age. Studios still think in terms of official drops. Fans operate in real time. Studios plan calendars. Fans chase moments. Studios want polish. Fans want immediacy. The gap between the two is where leaks thrive.

The King controversy also shows the changing power structure around stardom. Earlier, PR teams created narratives and fans consumed them. Today, fans often create narratives and PR teams react to them. A leaked image can force a filmmaker to issue a statement. A fan trend can push a studio to respond. A blurry video can become bigger than a planned announcement. This is not a small shift. It is a complete reversal of control.

For Shah Rukh Khan, this is not new. His fandom has always been emotionally charged. But after his massive comeback phase, every move around him carries even greater scrutiny. Add Deepika Padukone to the mix, and the curiosity multiplies. Every frame becomes content. Every gesture becomes discourse. Every leak becomes a headline.

The industry now has two choices. It can either keep fighting leaks with requests and warnings, or it can rethink how to handle anticipation in an age where secrecy is almost impossible. Perhaps the answer lies in faster official communication, controlled behind the scenes drops, stricter set protocols and a more direct relationship with fan communities. But even then, the truth remains: the fan page is now a stakeholder.

The King may still belong to the makers on screen, but off screen, the kingdom is increasingly being run by the fans.

Also Read: King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

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